This shot was taken on Iceland, this summer in Landmannalaugar. As we drove our Jeep further and further in to the mainland.... something beautiful uncovered. Looking at this site made me realize man doesn't control as much as they like to think. Creation is truly beautiful!

Nikon D90, AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR, Gitzo tripod.

Sunrise from Bethany Beach, Delaware.

Nikon D700, AF NIKKOR 14mm f/2.8D ED, Manfrotto 055CXPRO3 tripod, Manfrotto 410 geared head, Apple Aperture 3. 14mm, f/8, 1/160sec, ISO 100.

38.580329, -75.05778

An HDR panorama of Edinburgh, Scotland from Calton Hill on a beautiful summer evening. HDR tone-mapping done in Photomatix, edited in Adobe Photoshop CS5 to remove lens flare.

Nikon D5000, AF-S DX Zoom-NIKKOR 18-55mm f/3.5-5.6G ED II lens, Manfrotto tripod.

55.9547943, -3.184262

The road between Queenstown and Glenorchy was shut due to a rock fall, so waiting on the side of the road the clouds started to break as the sun came up. The colors were stunning.

Canon EOS 500D, 18-55IS lens, shot at 18mm. ƒ/8, 1/60s. I added contrast and saturation in Adobe Lightroom 2.

A beautiful sunset during a festival in France. I took this picture without noticing the beautiful colors of the background clouds. It was surprising to find this amazing photo!!

Canon EOS Digital Rebel XSi, 18-55mm zoom lens.

A white tiger at the Singapore Zoo. This tiger was nice enough to sit still for me as I played with some camera settings.

Canon EOS 350D.

1.406881,103.790234

Looking towards the sky with an ultra wide angle lens. Taken near Hermitage Cabin (operated by the Potomac Appalachian Trail Club) in the Michaux State Forest of Pennsylvania. May 2010.

Nikon D700, AF NIKKOR 14mm f/2.8D ED

1/200 sec at f/7.1 and ISO200. Minimal processing in Apple Aperture 3 and Adobe Photoshop CS4.

+39° 48' 47.82", -77° 28' 52.35"

You wouldn't want that nasty virus hanging out with your blood cells... Inspired by the popular Dual Neuron wallpaper.

I used procedural textures in Cinema4D and turned everything to max!

Water, its the stuff of life.

The ice terrain was rendered with subsurface scattering, processor intensive but well worth it. With global radiosity for added realism. The planets maps were done in Photoshop and rendered within the same scene in Max. The shaded lower half of the planet is actually picking up light from the terrain because of where it was placed in the scene.

Cray CX1, Adobe Photoshop CS, Autodesk 3DsMax.

Looking out to sea at Harwich, England.

Canon EOS 400D, Tamron 17-50mm f/2.8.