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By Dominic Kamp
October 25th, 2016
Taken from Gornergrad, a rocky ridge of the Pennine Alps, overlooking the Gorner Glacier south-east of Zermatt in Switzerland.
I was like standing there and then like woah, all of a sudden there was this cloud reaching out and then it was like lit from below and I was like SNAP boom into my camera.
Moon for lighting, Photoshop, Manfrotto tripod, gloves.
Photo Settings: 19mm, f/2, 25 seconds, ISO 100.
Map: 45.9833, 7.7847
August 1st, 2016
Taken at Lake Louise, Alberta, Canada while hiking to the other end of the lake. The colour of the water, canoes and trees made for a nice composition.
Adobe Lightroom CS.
Sony Alpha NEX-7, Sony E PZ 18-200mm F3.5-6.3 OSS.
Photo Settings: 47mm, f/8, 1/125 second, ISO 200.
Map: 51.4121, 116.2332
June 1st, 2016
A friend of mine recommended I check out Hug Point on the Oregon Coast. I didn't make it in time to hike to the most popular spot so I made the most out of the beach near the parking area for sunset. I ended up getting some great shots!
Adobe Lightroom CC.
Canon EOS 6D, Canon EF 24-70mm f2.8L II USM.
February 24th, 2016
Although there is certainly a poetry to the world when it's alive and full of people, there is simply nothing that can possibly compare to that same world when no one else is around. It is stripped of the extraneous energy and second hand emotion that occurs when you're lost in a crowd (even if that crowd is small). You're seeing it raw… bare. It's an otherworldly experience to say the least.
Now add sunrise to the mix. That's the time when the earth itself wakes up. Shades of understated grey give way to hues of lilac, violet, and lemon that simply don't exist later in the day. It is the visual equivalent of listening to an orchestra tuning up just before the performance of a lifetime.
This shot features a private boathouse along the main river of Perth. (If you've visited the area, you may know it well!)
At sunrise on this crisp winter morning, it appeared wise… knowing. A loan witness to this beautiful world at this extraordinary time of day, there at the end of that simple, weathered pier.
Camera: GX617; Film: Velvia 50 Slide; Scan: Heidelberg Tango; Post-processing: None.