Although it was back in 2008 when I visited the Rockefeller Center the last time, it felt like yesterday. I noticed though that the skyline had changed quite a bit. The building in the front center (between 46th & 47th streets) must have popped up out of the ground, as it's not even in Google Maps. Nevertheless, it was a beautiful day and at last, I could experience how Rockefeller enjoyed a sunny day's ending.

Adobe Photoshop CS6, Camera RAW 8.

Nikon D800, Nikon AF-S NIKKOR 14-24mm f/2.8G ED.

Photo Settings: 14mm, f/5, 1/125 second, ISO 100.

Map: 40.7587, -73.9791

Taken on a drizzly, gray day in March 2016. Just before sunset, the sky turned a beautiful shade of purple that had me running down to the harbor to get this shot. The Fujifilm X100S has a built-in ND filter which, in conjunction with its relatively wide 23mm lens, makes it perfect for these sorts of hyperfocal landscapes.

Copyright Derrick Treichler. All rights reserved.

Fujifilm X100S, tripod, ND filter, Adobe Lightroom.

Map: -44.6697, 167.9223

Sunrise at the Posbank, The Netherlands.

Adobe Lightroom, Adobe Photohop, Nik Color Efex.

Canon EOS 5D Mark II, Canon EF 16-35mm f/4L IS USM.

Photo Settings: 21mm, f/20, 1/15 second, ISO 100.

Lens - Tamron 15-30mm (@15mm).

Adobe Lightroom CC.

Nikon D750.

Photo Settings: 15mm, f/16, 13 seconds, ISO 100.

A matte painting project made of different photos from all around the world. The main structures were created from the Dolomites in Switzerland.

Adobe Photoshop.

Copyright © Sven Müller. All rights reserved.

Adobe Photoshop, tripod.

Canon EOS 5D Mark II, Canon EF 16-35mm f/2.8L II USM.

Photo Settings: 35mm, f/9, 2.5 seconds, ISO 100.

Morraine Lake, AB, Canada is the starting point of the Larch Valley hike. Hoping for better weather, a friend and I set out for a light day in the mountains. The clouds happened to offer a nice light for this shot.

Shot from a very common spot to photograph. I believe this to be a very different mood and angle than the norm, though.

Editing with HDRSoft Photomatix and Adobe Lightroom.

Canon EOS Rebel T3i, Canon EF-S 10-22mm f/3.5-4.5 USM.

Photo Settings: 10mm, f/16, 1/30 second, ISO 200.

The form of the coastline around Durdle Door is controlled by its geology--both by the contrasting hardnesses of the rocks, and by the local patterns of faults and folds.The arch has formed on a concordant coastline where bands of rock run parallel to the shoreline. The rock strata are almost vertical, and the bands of rock are quite narrow. Originally a band of resistant Portland limestone ran along the shore, the same band that appears one mile along the coast forming the narrow entrance to Lulworth Cove. Behind this is a 120-metre (390 ft) band of weaker, easily eroded rocks, and behind this is a stronger and much thicker band of chalk, which forms the Purbeck Hills. These steeply dipping rocks are part of the geological structure known as the Lulworth crumple, itself part of a broader monocline (a kinked type of geological fold) produced by the building of the Alps during the mid-Cenozoic.

Nikon D800E, Samyang 14mm F2.8 IF ED MC Aspherical.

Photo Settings: 14mm, f/9, 1/200 second, ISO 125.

Map: 50.6225, -2.2725

"The Dark Knight" inspired me to create this image of someone watching over New York City.

Adobe Photoshop CS6, Camera RAW 8.

Nikon D800, Nikon AF-S NIKKOR 50mm f/1.4G.

Taken June 2016 while on Vacation. I was on Vacation. I shot this hand held late afternoon.

Shot in Raw and processed in Adobe Lightroom.

Nikon D7100, Tokina AT-X Pro 11-16mm f/2.8 DX.

Photo Settings: 14mm, f/4, 1/200 second, ISO 100.