A sunset shot from the small and beautiful village of Ris in the French Hautes-Pyrénées. I stayed there for a week, witnessing beauty of all sorts. Shot on Fujifilm X-T2.

Adobe Lightroom.

, Fujifilm XF 18-55mm F2.8-4 R LM OIS.

Photo Settings: 18mm, f/3, 1/60 second, ISO 500.

Mount Hutton, New Zealand.

I was fortunate enough to capture this amazing light whilst leading our most recent Photo Tour in New Zealand. The majestic Mount Hutton is reflected in this secret lake within the Canterbury region of the South Island

Camera: Phase One IQ3 100MP XF

Lens: Schneider Kreuznach 80mm LS f/2.8

RRS Tripod, Singh Ray 4 Stop ND Grad, Singh Ray Polariser

The Auckland's Aquarium hosts plenty of colorful creatures. But these dozens of clown fishes diving into the deep blue light offer the most beautiful show for the eyes.

Darktable.

Canon EOS 7D, Canon EF 70-200mm f/4L IS USM.

One of my favorite places in the US (Yosemite). When in the valley you can almost get a 360 view of the entire park. Believe it or not this shot was taken from the heart of the valley. Spectacular views without much effort.

"Half Dome was originally called "Tis-sa-ack", meaning Cleft Rock in the language of the local Ahwahnechee people." - Wikipedia

Adobe Lightroom.

Nikon D750, Nikon AF-S NIKKOR 24-70mm f/2.8G ED.

Photo Settings: 56mm, f/8, 1/1000 second, ISO 200.

Beautiful lighting, Healthy ocean, Patience, and respect. This is the result.

Taken north of San Francisco, California. June 2017.

Nikon D7200.

Photo Settings: 130mm, f/7, 1/2000 second, ISO 220.

National park Sächsische Schweiz, Germany.

Adobe Lightroom CC.

Nikon D750.

Photo Settings: 24mm, f/8, 1/30 second, ISO 800.

A view on Stavrovouni hill, located near Larnaca (Cyprus), on top of which there is a monastery. Shot during the sunset from a nearby wind farm.

Voigtlander 15mm f/7.1, CP filter, Adobe Lightroom CC.

Sony Alpha 7R.

Photo Settings: 15mm, f/7, 1/25 second, ISO 100.

Map: 34.8866, 33.5318

Composite of one of my Iceland Aurora shots (available on my homepage as wallpaper) and an old photo of Bannalpsee (Lake Bannalp) in Switzerland.

Once I finished combining the Aurora sky with the once daylight scenery of Bannalpsee, I used Flaming Pear's great Photoshop plugin -Flood- to create the Aurora reflections. I little tweak merges both layers so that the original ripples are combined with the new "fake" ripples of the Aurora sky. Then I mostly corrected minor artifacts and color fringing and last but not least, used Nik Color Efex to play around with the colors.

Let me know in the comments whether you liked it or what you'd improve. Enjoy!

Adobe Photoshop CC, Nik Color Efex 4.0, Flaming Pear Flood.

Nikon D800, Nikon AF-S NIKKOR 14-24mm f/2.8G ED.

Photo Settings: 15mm, f/2, 30 seconds, ISO 800.

Lake Ohau is a glacial lake in the Mackenzie Basin of New Zealand's South Island. When I arrived at the lake, the last beams of sunlight shed across the mountain range and I had only minutes to take these photos. The strong winds in this area didn't really help. Would you like to see other New Zealand photos?

Adobe Photoshop CS, Lightroom CS and waterproof shoes.

Nikon D800, Nikon AF-S NIKKOR 14-24mm f/2.8G ED.

Map: -44.2500, 169.8500

View from Victoria Peak onto Hong Kong, Kowloon and the surrounding areas.

Taken with Canon EOS 5DS R and the Zeiss Milvus 18mm lens, the sharpness and the level of detail are absolutely insane. You will need some time to practice because there is no autofocus on those lenses but its so much fun (and results are so insane) once you got used to it.

Hong Kong, April 2017.

Canon EOS 5Ds R, Carl Zeiss Milvus 18mm f/2.8

Capture One Pro 10.

Photo Settings: 18mm, f/4, 1/800 second, ISO 100.