I took this photo in the winter, north of Phoenix, Arizona. I didn't think it would turn out but you can see at least 24 stars which is nice. Obviously the entire Milky Way isn't visible that time of the year but there is a lot less chaos in the photo, as I personally prefer.

A tripod was used, as well as Adobe Lightroom.

Canon EOS 6D, Canon EF 24-105mm f/4L IS USM.

Photo Settings: 24mm, f/4, 15 seconds, ISO 3200.

I received my new drone a few days before the ending of 2016 but i couldn't fly it here in the Netherlands since we were hit by some heavy fog for a few days. finally on the 30th of December it was clearing up just a little but, which ended up being just enough so i could try out the drone and hover above some trees near my living place. All of the trees were covered in ice but it didn't cover up all the grass on the floor, resulting in some nice orange/red grass coming through the icy scenery.

DJI Phantom 4 Professional, Adobe Photoshop CC 2017.

A 3-light-year-long pillar, bathed in the glow of light from hot, massive stars to the top of the image. Scorching radiation and fast winds (streams of charged particles) from these stars are sculpting the pillar and causing new stars to form within it. Streamers of gas and dust can be seen flowing off the top of the structure.

Nestled inside this dense structure are fledgling stars. They cannot be seen in this image because they are hidden by a wall of gas and dust. Although the stars themselves are invisible, one of them is providing evidence of its existence. Thin puffs of material can be seen traveling to the left and to the right of a dark notch in the center of the pillar. The matter is part of a jet produced by a young star. Farther away, on the left, the jet is visible as a grouping of small, wispy clouds. A few small clouds are visible at a similar distance on the right side of the jet. Astronomers estimate that the jet is moving at speeds of up to 850,000 miles an hour. The jet's total length is about 10 light-years.

Composed of gas and dust, the pillar resides in a tempestuous stellar nursery called the Carina Nebula, located 7,500 light-years away in the southern constellation Carina.

Credit: NASA, ESA, and the Hubble SM4 ERO Team

I took this photo from the top of "Siegessäule", facing the skyline of Berlin, Germany.

Adobe Photoshop CC.

Nikon D600, Nikon AF-S NIKKOR 16-35mm f/4G ED VR.

Revisiting my photo collection of 2014, now on retina display, brings an other dimension to the shots taken in Antelope Canyon (lower), Arizona.

I know IFL has a few of these shots, including some of mine, but who can say they are tired to look at them? It's a unique place with infinite perspective and shapes.

Adobe Lightroom CC.

Canon EOS 5D Mark III, Canon EF 17-40mm f/4.0L USM.

Photo Settings: 20mm, f/8, 1/40 second, ISO 1250.

Map: 36.9036, -111.4136

This is the peak of Mount Cook, New Zealand. I captured this beautiful view during a recent flight around the Aoraki area with its wonderful mountains, glaciers and valleys.

For me - and I guess for most of other people, too - reaching the top of one of these mountains is a lifelong but yet unreachable dream.

Canon EOS 5DS R.

Carl Zeiss Milvus 2.8/18mm

Capture One Pro 11

Photo Settings: 18mm, f/5, 1/320 second, ISO 100.

A long exposure of Whitby harbour east pier taken at sunrise on 31 July 2018.

Copyright © Ed White. Permission to use as personal screen wallpaper only.

Sony A7RIII, Sony 70-200GM, NISI ND64, Miops Smart Remote, Adobe Lightroom.

Photo Settings: 70mm, f/16, 255 seconds, ISO 100.

We almost missed this sunset due to snow and clouds rolling in and creating a complete blanket of gray skies. However, we decided to wait, standing in the cold wind and snow flurries, just in case. After a couple hours of waiting, we were treated to one of the more vivid sunsets I have seen in quite some time. The sky exploded with a fiery glow as the winds calmed and the snow stopped.

Adobe Photoshop, Adobe Lightroom.

Nikon D810, Nikon AF-S NIKKOR 14-24mm f/2.8G ED.

Photo Settings: 19mm, f/16, 4 seconds, ISO 64.

It was a rainy, cool day in Northern California. I wanted to capture the mood of the forest.

Adobe Lightroom, Adobe Photoshop CC.

Nikon D600, Nikon AF-S Nikkor 50mm f/1.8G.

A matte painting project made of different photos from all around the world. The main structures were created from the Dolomites in Switzerland.

Adobe Photoshop.