Part of a dual monitor set I'll be uploading later. This is the first half. The original resolution is 30,400 x 9,500. Yep, you didn't misread that :).

I took this photo in the winter, north of Phoenix, Arizona. I didn't think it would turn out but you can see at least 24 stars which is nice. Obviously the entire Milky Way isn't visible that time of the year but there is a lot less chaos in the photo, as I personally prefer.

A tripod was used, as well as Adobe Lightroom.

Canon EOS 6D, Canon EF 24-105mm f/4L IS USM.

Photo Settings: 24mm, f/4, 15 seconds, ISO 3200.

I received my new drone a few days before the ending of 2016 but i couldn't fly it here in the Netherlands since we were hit by some heavy fog for a few days. finally on the 30th of December it was clearing up just a little but, which ended up being just enough so i could try out the drone and hover above some trees near my living place. All of the trees were covered in ice but it didn't cover up all the grass on the floor, resulting in some nice orange/red grass coming through the icy scenery.

DJI Phantom 4 Professional, Adobe Photoshop CC 2017.

This composite image combines a near-infrared view from the Hubble Space Telescope, an infrared view from the Spitzer Space Telescope, and an X-ray view from the Chandra X-ray Observatory into one multi-wavelength picture.

It features the spectacle of stellar evolution: from vibrant regions of star birth, to young hot stars, to old cool stars, to seething remnants of stellar death called black holes. This activity occurs against a fiery backdrop in the crowded, hostile environment of the galaxy's core, the center of which is dominated by a supermassive black hole nearly four million times more massive than our Sun. Permeating the region is a diffuse blue haze of X-ray light from gas that has been heated to millions of degrees by outflows from the supermassive black hole as well as by winds from massive stars and by stellar explosions. Infrared light reveals more than a hundred thousand stars along with glowing dust clouds that create complex structures including compact globules, long filaments, and finger-like "pillars of creation," where newborn stars are just beginning to break out of their dark, dusty cocoons.

Credit: NASA, ESA, SSC, CXC, and STScI

It was a rainy, cool day in Northern California. I wanted to capture the mood of the forest.

Adobe Lightroom, Adobe Photoshop CC.

Nikon D600, Nikon AF-S Nikkor 50mm f/1.8G.

This is the peak of Mount Cook, New Zealand. I captured this beautiful view during a recent flight around the Aoraki area with its wonderful mountains, glaciers and valleys.

For me - and I guess for most of other people, too - reaching the top of one of these mountains is a lifelong but yet unreachable dream.

Canon EOS 5DS R.

Carl Zeiss Milvus 2.8/18mm

Capture One Pro 11

Photo Settings: 18mm, f/5, 1/320 second, ISO 100.

We almost missed this sunset due to snow and clouds rolling in and creating a complete blanket of gray skies. However, we decided to wait, standing in the cold wind and snow flurries, just in case. After a couple hours of waiting, we were treated to one of the more vivid sunsets I have seen in quite some time. The sky exploded with a fiery glow as the winds calmed and the snow stopped.

Adobe Photoshop, Adobe Lightroom.

Nikon D810, Nikon AF-S NIKKOR 14-24mm f/2.8G ED.

Photo Settings: 19mm, f/16, 4 seconds, ISO 64.

Revisiting my photo collection of 2014, now on retina display, brings an other dimension to the shots taken in Antelope Canyon (lower), Arizona.

I know IFL has a few of these shots, including some of mine, but who can say they are tired to look at them? It's a unique place with infinite perspective and shapes.

Adobe Lightroom CC.

Canon EOS 5D Mark III, Canon EF 17-40mm f/4.0L USM.

Photo Settings: 20mm, f/8, 1/40 second, ISO 1250.

Map: 36.9036, -111.4136

Cedar Creek Grist Mill, Washington State. Spring 2014.

Adobe Lightroom, Adobe Photoshop.

Samsung NX30.

, Samsung NX 18-200mm F3.5-6.3 ED OIS.

Photo Settings: 20mm, f/11, 1/8 second, ISO 100.

Pole Position at dusk on the Pacific Coast Highway (PCH). Summer 2014.

Samsung NX30. Adobe Lightroom, Adobe Photoshop.

, Samsung NX 18-200mm F3.5-6.3 ED OIS.

Photo Settings: 90mm, f/16, 30 seconds, ISO 100.