Part of a dual monitor set I'll be uploading later. This is the first half. The original resolution is 30,400 x 9,500. Yep, you didn't misread that :).

I took this photo in the winter, north of Phoenix, Arizona. I didn't think it would turn out but you can see at least 24 stars which is nice. Obviously the entire Milky Way isn't visible that time of the year but there is a lot less chaos in the photo, as I personally prefer.

A tripod was used, as well as Adobe Lightroom.

Canon EOS 6D, Canon EF 24-105mm f/4L IS USM.

Photo Settings: 24mm, f/4, 15 seconds, ISO 3200.

On Wednesday I spent 14 hours and drove around 700 miles chasing storms through Kansas and Oklahoma. The "cap" prevented many of the storms from producing much, but we ended the night with a breathtaking sunset that lasted over an hour! What a sight! This is a photo I took near Enid, Oklahoma while we were enjoying the show.

Adobe Lightroom CC, Adobe Photoshop CC.

Canon EOS 5D Mark II.

Photo Settings: 11mm, f/4, 1/50 second, ISO 100.

Let your imagination drift into the cosmic void and find solace there... Serenity is waiting.

Created in Adobe Photoshop CS6.

Tree canopy. Moulton Falls, Washington. Spring 2014.

Adobe Lightroom, Adobe Photoshop. Samsung NX30.

, Samsung NX 10mm F3.5 Fisheye.

Photo Settings: 10mm, f/22, 1/80 second, ISO 400.

An evening moored near The Indians in the British Virgin Islands. Pelican Island can be seen in the distance.

Adobe Lightroom 5, Adobe Photoshop CC.

Canon EOS 5D Mark III, Canon EF 17-40mm f/4.0L USM.

Map: 18.3324, -64.6296

This is a shot of famous baths Maria de Padilla in Seville, Spain. The baths are located in the magnificent Real Alcazar, one of the most beautiful places in Spain and a good example of typical mudéjar architecture found in southwest Europe.

Processed in Adobe Photoshop and Adobe Lightroom.

Nikon D750, Nikon AF-S NIKKOR 16-35mm f/4G ED VR.

Photo Settings: 16mm, f/9, 6 seconds, ISO 100.

I took this picture in Yellowstone National Park, at around 6am. The mist had subsided partially as the Sun came up but was reluctant to leave, lingering on the surface.

Adobe Photoshop Lightroom.

Nikon D600, Nikon AF-S NIKKOR 16-35mm f/4G ED VR.

Photo Settings: 16mm, f/22, 1/8 second, ISO 50.

Revisiting my photo collection of 2014, now on retina display, brings an other dimension to the shots taken in Antelope Canyon (lower), Arizona.

I know IFL has a few of these shots, including some of mine, but who can say they are tired to look at them? It's a unique place with infinite perspective and shapes.

Adobe Lightroom CC.

Canon EOS 5D Mark III, Canon EF 17-40mm f/4.0L USM.

Photo Settings: 20mm, f/8, 1/40 second, ISO 1250.

Map: 36.9036, -111.4136

I was pleased with the clarity of this shot despite the fact that it was taken through the window of a moving helicopter. The white line you see on the sides of the lake is the original water line. Lake Mead is currently down 91 feet.

Circular polarizing Filter.

Canon EOS 70D, Tokina AT-X Pro 11-16mm f/2.8 DX.