I received my new drone a few days before the ending of 2016 but i couldn't fly it here in the Netherlands since we were hit by some heavy fog for a few days. finally on the 30th of December it was clearing up just a little but, which ended up being just enough so i could try out the drone and hover above some trees near my living place. All of the trees were covered in ice but it didn't cover up all the grass on the floor, resulting in some nice orange/red grass coming through the icy scenery.

DJI Phantom 4 Professional, Adobe Photoshop CC 2017.

Taken in Blue Mountains National Park, Australia.

Adobe Lightroom 5.

Canon EOS 5D Mark III, Canon EF 20mm f/2.8 USM.

Photo Settings: 20mm, f/8, 1/4 second, ISO 100.

Beautiful sunrise above Bohol flying from Cebu to Cagayan De Oro in the Philippines.

Adobe Lightroom.

, Sony FE 24-70mm F4 ZA OSS Carl Zeiss Vario Tessar T*.

We almost missed this sunset due to snow and clouds rolling in and creating a complete blanket of gray skies. However, we decided to wait, standing in the cold wind and snow flurries, just in case. After a couple hours of waiting, we were treated to one of the more vivid sunsets I have seen in quite some time. The sky exploded with a fiery glow as the winds calmed and the snow stopped.

Adobe Photoshop, Adobe Lightroom.

Nikon D810, Nikon AF-S NIKKOR 14-24mm f/2.8G ED.

Photo Settings: 19mm, f/16, 4 seconds, ISO 64.

Part of a dual monitor set I'll be uploading later. This is the first half. The original resolution is 30,400 x 9,500. Yep, you didn't misread that :).

Revisiting my photo collection of 2014, now on retina display, brings an other dimension to the shots taken in Antelope Canyon (lower), Arizona.

I know IFL has a few of these shots, including some of mine, but who can say they are tired to look at them? It's a unique place with infinite perspective and shapes.

Adobe Lightroom CC.

Canon EOS 5D Mark III, Canon EF 17-40mm f/4.0L USM.

Photo Settings: 20mm, f/8, 1/40 second, ISO 1250.

Map: 36.9036, -111.4136

This composite image combines a near-infrared view from the Hubble Space Telescope, an infrared view from the Spitzer Space Telescope, and an X-ray view from the Chandra X-ray Observatory into one multi-wavelength picture.

It features the spectacle of stellar evolution: from vibrant regions of star birth, to young hot stars, to old cool stars, to seething remnants of stellar death called black holes. This activity occurs against a fiery backdrop in the crowded, hostile environment of the galaxy's core, the center of which is dominated by a supermassive black hole nearly four million times more massive than our Sun. Permeating the region is a diffuse blue haze of X-ray light from gas that has been heated to millions of degrees by outflows from the supermassive black hole as well as by winds from massive stars and by stellar explosions. Infrared light reveals more than a hundred thousand stars along with glowing dust clouds that create complex structures including compact globules, long filaments, and finger-like "pillars of creation," where newborn stars are just beginning to break out of their dark, dusty cocoons.

Credit: NASA, ESA, SSC, CXC, and STScI

It was a rainy, cool day in Northern California. I wanted to capture the mood of the forest.

Adobe Lightroom, Adobe Photoshop CC.

Nikon D600, Nikon AF-S Nikkor 50mm f/1.8G.

Taken from Gornergrad, a rocky ridge of the Pennine Alps, overlooking the Gorner Glacier south-east of Zermatt in Switzerland.

I was like standing there and then like woah, all of a sudden there was this cloud reaching out and then it was like lit from below and I was like SNAP boom into my camera.

Moon for lighting, Photoshop, Manfrotto tripod, gloves.

Nikon D800, Nikon AF-S NIKKOR 14-24mm f/2.8G ED.

Photo Settings: 19mm, f/2, 25 seconds, ISO 100.

Map: 45.9833, 7.7847

July 2018. Taken at Highpoint Ave, Weehawken, NJ.

Adobe Lightroom 6, MeFOTO A1350.

Nikon D810, Nikon AF-S NIKKOR 24-70mm f/2.8G ED.

Photo Settings: 62mm, f/11, 13 seconds, ISO 64.