Sunrise over Lake Fyans in the Grampians, Victoria, Australia. Dawn over the lake on a cold Easter Saturday whilst camping.

One day before daylight saving kicked in, didn't have to get up quite so early! First proper shoot with my Canon 5D Mark II.

Tripod, Adobe Lightroom CC.

Canon EOS 5D Mark II.

Lake Ohau is a glacial lake in the Mackenzie Basin of New Zealand's South Island. When I arrived at the lake, the last beams of sunlight shed across the mountain range and I had only minutes to take these photos. The strong winds in this area didn't really help. Would you like to see other New Zealand photos?

Adobe Photoshop CS, Lightroom CS and waterproof shoes.

Nikon D800, Nikon AF-S NIKKOR 14-24mm f/2.8G ED.

Map: -44.2500, 169.8500

View from Victoria Peak onto Hong Kong, Kowloon and the surrounding areas.

Taken with Canon EOS 5DS R and the Zeiss Milvus 18mm lens, the sharpness and the level of detail are absolutely insane. You will need some time to practice because there is no autofocus on those lenses but its so much fun (and results are so insane) once you got used to it.

Hong Kong, April 2017.

Canon EOS 5Ds R, Carl Zeiss Milvus 18mm f/2.8

Capture One Pro 10.

Photo Settings: 18mm, f/4, 1/800 second, ISO 100.

This composite image combines a near-infrared view from the Hubble Space Telescope, an infrared view from the Spitzer Space Telescope, and an X-ray view from the Chandra X-ray Observatory into one multi-wavelength picture.

It features the spectacle of stellar evolution: from vibrant regions of star birth, to young hot stars, to old cool stars, to seething remnants of stellar death called black holes. This activity occurs against a fiery backdrop in the crowded, hostile environment of the galaxy's core, the center of which is dominated by a supermassive black hole nearly four million times more massive than our Sun. Permeating the region is a diffuse blue haze of X-ray light from gas that has been heated to millions of degrees by outflows from the supermassive black hole as well as by winds from massive stars and by stellar explosions. Infrared light reveals more than a hundred thousand stars along with glowing dust clouds that create complex structures including compact globules, long filaments, and finger-like "pillars of creation," where newborn stars are just beginning to break out of their dark, dusty cocoons.

Credit: NASA, ESA, SSC, CXC, and STScI

It is said that Tolkien travelled through the landscape of Switzerland to the Lauterbrunnen Valley, a deep valley that many people now believe was the direct inspiration for the valley of Rivendell, a place instrumental to events both in The Hobbit and The Lord of the Rings.

The name Rivendell itself means "Deeply Cloven Valley" and the Lauterbrunnen, with its steep sides and many waterfalls (72 to be exact), certainly fits this description, with the mountains of the Eiger, Monch, and Jungfrau lying beyond.

Adobe Photoshop and Adobe Lightroom, Color Efex, Turkey Bacon Avocado Sandwich.

Nikon D800, Nikon AF-S NIKKOR 24-70mm f/2.8G ED.

Map: 46.6000, 7.9089

Taken during my secluded walk around Sandy Cay Island, British Virgin Islands.

Adobe Lightroom 4, Adobe Photoshop CS6.

Canon EOS 5D Mark III, Canon EF 17-40mm f/4.0L USM.

Sunrise at the Bachalpsee in Switzerland.

Adobe Lightroom.

Canon EOS 5D Mark II, Canon EF 16-35mm f/4L IS USM.

Photo Settings: 16mm, f/8, 1/20 second, ISO 100.

Heath in Bloom at Zuiderheide, The Netherlands.

Adobe Lightroom, Adobe Photoshop.

Canon EOS 5D Mark III, Canon EF 16-35mm f/4L IS USM.

Photo Settings: 16mm, f/4, 1/320 second, ISO 100.

A panoramic view of Bryce Point shortly after sunrise. Bryce Canyon National Park.

Also take a look at the Multi-Monitor wide panorama version!

Adobe Photoshop CC.

Canon EOS Rebel T3i, Sigma 17-70mm F2.8-4 DC MACRO OS HSM | C.

Photo Settings: 25mm, f/14, 1/15 second, ISO 100.

Although I absolutely love my trusty Canon 17-40mm f4L lens, I finally decided to upgrade to a 16-35mm f4L. What better way to test it than a weekend at the coast with the family! This is hands down one of the best sunsets I've seen at the Oregon Coast.

Shot with a Sony A7R, and of course a Canon 16-35mm f4L IS. Also using a Manfrotto Tripod and a fotodiox lens adapter.

Adobe Lightroom CC, Adobe Photoshop CC.

Sony Alpha 7R.