The form of the coastline around Durdle Door is controlled by its geology--both by the contrasting hardnesses of the rocks, and by the local patterns of faults and folds.The arch has formed on a concordant coastline where bands of rock run parallel to the shoreline. The rock strata are almost vertical, and the bands of rock are quite narrow. Originally a band of resistant Portland limestone ran along the shore, the same band that appears one mile along the coast forming the narrow entrance to Lulworth Cove. Behind this is a 120-metre (390 ft) band of weaker, easily eroded rocks, and behind this is a stronger and much thicker band of chalk, which forms the Purbeck Hills. These steeply dipping rocks are part of the geological structure known as the Lulworth crumple, itself part of a broader monocline (a kinked type of geological fold) produced by the building of the Alps during the mid-Cenozoic.

Nikon D800E, Samyang 14mm F2.8 IF ED MC Aspherical.

Photo Settings: 14mm, f/9, 1/200 second, ISO 125.

Map: 50.6225, -2.2725

Riomaggiore (Rimazùu in the local Ligurian language) is a village situated in a small valley in the Liguria region of Italy.

Adobe Photoshop.

Nikon D3200, Tokina AT-X Pro 11-16mm f/2.8 DX.

Photo Settings: 13mm, f/11, 20 seconds, ISO 100.

Part of a dual monitor set I'll be uploading later. This is the first half. The original resolution is 30,400 x 9,500. Yep, you didn't misread that :).

White Sands is a photographer's dream. There are so many different shapes and shadows to use and it's fun trying to find the right layering and yucca plants to make a compelling image. The dark shadows two hours or so before sunset help define the dunes against all the white sand.

Nikon D800E.

Taken in Czech Rebublic, near Pec Pod Snezku.

Canon EOS 6D, Canon EF 17-40mm f/4.0L USM.

Photo Settings: 17mm, f/14, 1 second, ISO 100.

Inspired by the Stargate TV franchise. I miss that show a lot.

Painted in Photoshop CS6.

I'm currently on Iceland and was quite disappointed the last time when I travelled here (drone crash, bad weather and almost no northern lights).

This time however, my return to Iceland was awarded with the most powerful northern lights I've ever seen!

Adobe Lightroom & Photoshop, Gloves, five layers of clothing & patience

Nikon D800, Nikon AF-S NIKKOR 14-24mm f/2.8G ED.

Not long before sunset at Monument Valley (AZ) the sun came out and opened this atonishing view.

Adobe Lightroom.

Nikon D90, Nikon AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR.

Photo Settings: 18mm, f/3, 1/800 second, ISO 200.

This is a photo of the old district of Ny havn (new harbour) in Copenhagen. It's lined by 17th and early 18th century colourful townhouses and bars, cafes and restaurants.

Nikon D7100, Tokina AT-X Pro 11-16mm f/2.8 DX.

Photo Settings: 16mm, f/10, 15 seconds, ISO 100.

No matter how dark the night, the bigger the campfire, the more darkness is revealed!

Taken with a Nikon D850 and a Sigma 14mm @ f/1.8 (ISO 400) & 15 seconds exposure. Three individual shots were stitched together in Lightroom CC Classic and then processed in Photoshop CC. Color correction with NIK Color Efex. Finding right spot & preparation took 6h plus editing another 3h. Enjoy and let me know whether you'd like to know more.

Adobe Photoshop and Adobe Lightroom CC.

Photo Settings: 14mm, f/1, 15 seconds, ISO 400.

Map: 47.0256, 8.9806