Reflection of Mount Cook and the surrounding peaks on Lake Pukaki. The mountain was touched with the last sunrays of that day. Endless tranquility.

New Zealand, November 2014.

Canon EOS 5D Mark III, Canon EF 24-105mm f/4L IS USM.

I took this photo in the winter, north of Phoenix, Arizona. I didn't think it would turn out but you can see at least 24 stars which is nice. Obviously the entire Milky Way isn't visible that time of the year but there is a lot less chaos in the photo, as I personally prefer.

A tripod was used, as well as Adobe Lightroom.

Canon EOS 6D, Canon EF 24-105mm f/4L IS USM.

Photo Settings: 24mm, f/4, 15 seconds, ISO 3200.

This is the first time I visited Yosemite and thus obviously the first time I saw the famed Tunnel View vista. This is at sunrise, about 5:30 in the morning. The crowds were still thin, and many roads in the park had just been re-opened for the Spring/Summer. I have adjusted the RAW file for exposure and white balance in Photoshop and Light Room, with additional minor tweaks in Exposure X2.

Lightroom, Photoshop, Exposure X2. Sony a7rii, Tamron 15-30mm f/2.8 lens.

Sony Alpha 7R, Tamron SP AF 17-50mm F/2.8 XR Di II LD Aspherical (IF).

Photo Settings: 17mm, f/5, 2.5 seconds, ISO 400.

Map: 37.7156, -119.6769

National park Sächsische Schweiz, Germany.

Adobe Lightroom CC.

Nikon D750.

Photo Settings: 24mm, f/8, 1/30 second, ISO 800.

A winter sunset clouds panorama over the Principality of Monaco, taken in February 2015. The original 433 megapixel ultra high resolution photograph is a 180 degree panorama taken from a cliff above Monaco.

Beautiful pink and purple clouds appear mostly during the sunsets of autumn, winter and early spring, when the Sun sets far out West, lighting up the sky in fabulous colours.

You may download a free high resolution version of this photograph for personal use. For commercial use please contact Crevisio.

Canon EOS 5D Mark II, Canon EF 50mm f/1.2L USM.

Photo Settings: 50mm, f/14, 10 seconds, ISO 50.

A 3-light-year-long pillar, bathed in the glow of light from hot, massive stars to the top of the image. Scorching radiation and fast winds (streams of charged particles) from these stars are sculpting the pillar and causing new stars to form within it. Streamers of gas and dust can be seen flowing off the top of the structure.

Nestled inside this dense structure are fledgling stars. They cannot be seen in this image because they are hidden by a wall of gas and dust. Although the stars themselves are invisible, one of them is providing evidence of its existence. Thin puffs of material can be seen traveling to the left and to the right of a dark notch in the center of the pillar. The matter is part of a jet produced by a young star. Farther away, on the left, the jet is visible as a grouping of small, wispy clouds. A few small clouds are visible at a similar distance on the right side of the jet. Astronomers estimate that the jet is moving at speeds of up to 850,000 miles an hour. The jet's total length is about 10 light-years.

Composed of gas and dust, the pillar resides in a tempestuous stellar nursery called the Carina Nebula, located 7,500 light-years away in the southern constellation Carina.

Credit: NASA, ESA, and the Hubble SM4 ERO Team

Morraine Lake, AB, Canada is the starting point of the Larch Valley hike. Hoping for better weather, a friend and I set out for a light day in the mountains. The clouds happened to offer a nice light for this shot.

Shot from a very common spot to photograph. I believe this to be a very different mood and angle than the norm, though.

Editing with HDRSoft Photomatix and Adobe Lightroom.

Canon EOS Rebel T3i, Canon EF-S 10-22mm f/3.5-4.5 USM.

Photo Settings: 10mm, f/16, 1/30 second, ISO 200.

Composite of one of my Iceland Aurora shots (available on my homepage as wallpaper) and an old photo of Bannalpsee (Lake Bannalp) in Switzerland.

Once I finished combining the Aurora sky with the once daylight scenery of Bannalpsee, I used Flaming Pear's great Photoshop plugin -Flood- to create the Aurora reflections. I little tweak merges both layers so that the original ripples are combined with the new "fake" ripples of the Aurora sky. Then I mostly corrected minor artifacts and color fringing and last but not least, used Nik Color Efex to play around with the colors.

Let me know in the comments whether you liked it or what you'd improve. Enjoy!

Adobe Photoshop CC, Nik Color Efex 4.0, Flaming Pear Flood.

Nikon D800, Nikon AF-S NIKKOR 14-24mm f/2.8G ED.

Photo Settings: 15mm, f/2, 30 seconds, ISO 800.

I received my new drone a few days before the ending of 2016 but i couldn't fly it here in the Netherlands since we were hit by some heavy fog for a few days. finally on the 30th of December it was clearing up just a little but, which ended up being just enough so i could try out the drone and hover above some trees near my living place. All of the trees were covered in ice but it didn't cover up all the grass on the floor, resulting in some nice orange/red grass coming through the icy scenery.

DJI Phantom 4 Professional, Adobe Photoshop CC 2017.

Beautiful sunrise above Bohol flying from Cebu to Cagayan De Oro in the Philippines.

Adobe Lightroom.

, Sony FE 24-70mm F4 ZA OSS Carl Zeiss Vario Tessar T*.