Second Roach Lake from Medawisla AMC Lodge, Maine.

Fuji X-T20

Photo Settings: 10mm, f/11, 1/100 second, ISO 200.

This composite image combines a near-infrared view from the Hubble Space Telescope, an infrared view from the Spitzer Space Telescope, and an X-ray view from the Chandra X-ray Observatory into one multi-wavelength picture.

It features the spectacle of stellar evolution: from vibrant regions of star birth, to young hot stars, to old cool stars, to seething remnants of stellar death called black holes. This activity occurs against a fiery backdrop in the crowded, hostile environment of the galaxy's core, the center of which is dominated by a supermassive black hole nearly four million times more massive than our Sun. Permeating the region is a diffuse blue haze of X-ray light from gas that has been heated to millions of degrees by outflows from the supermassive black hole as well as by winds from massive stars and by stellar explosions. Infrared light reveals more than a hundred thousand stars along with glowing dust clouds that create complex structures including compact globules, long filaments, and finger-like "pillars of creation," where newborn stars are just beginning to break out of their dark, dusty cocoons.

Credit: NASA, ESA, SSC, CXC, and STScI

Revisiting my photo collection of 2014, now on retina display, brings an other dimension to the shots taken in Antelope Canyon (lower), Arizona.

I know IFL has a few of these shots, including some of mine, but who can say they are tired to look at them? It's a unique place with infinite perspective and shapes.

Adobe Lightroom CC.

Canon EOS 5D Mark III, Canon EF 17-40mm f/4.0L USM.

Photo Settings: 20mm, f/8, 1/40 second, ISO 1250.

Map: 36.9036, -111.4136

Not long before sunset at Monument Valley (AZ) the sun came out and opened this atonishing view.

Adobe Lightroom.

Nikon D90, Nikon AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR.

Photo Settings: 18mm, f/3, 1/800 second, ISO 200.

The form of the coastline around Durdle Door is controlled by its geology--both by the contrasting hardnesses of the rocks, and by the local patterns of faults and folds.The arch has formed on a concordant coastline where bands of rock run parallel to the shoreline. The rock strata are almost vertical, and the bands of rock are quite narrow. Originally a band of resistant Portland limestone ran along the shore, the same band that appears one mile along the coast forming the narrow entrance to Lulworth Cove. Behind this is a 120-metre (390 ft) band of weaker, easily eroded rocks, and behind this is a stronger and much thicker band of chalk, which forms the Purbeck Hills. These steeply dipping rocks are part of the geological structure known as the Lulworth crumple, itself part of a broader monocline (a kinked type of geological fold) produced by the building of the Alps during the mid-Cenozoic.

Nikon D800E, Samyang 14mm F2.8 IF ED MC Aspherical.

Photo Settings: 14mm, f/9, 1/200 second, ISO 125.

Map: 50.6225, -2.2725

This is a shot of famous baths Maria de Padilla in Seville, Spain. The baths are located in the magnificent Real Alcazar, one of the most beautiful places in Spain and a good example of typical mudéjar architecture found in southwest Europe.

Processed in Adobe Photoshop and Adobe Lightroom.

Nikon D750, Nikon AF-S NIKKOR 16-35mm f/4G ED VR.

Photo Settings: 16mm, f/9, 6 seconds, ISO 100.

The aurora forecast was low last night, but I took my chances and went out anyway - I was pleasantly surprised!

Taken in Longyearbyen - Svalbard, Norway.

Nikon D610.

Photo Settings: 20mm, f/1, 15 seconds, ISO 1250.

Riomaggiore (Rimazùu in the local Ligurian language) is a village situated in a small valley in the Liguria region of Italy.

Adobe Photoshop.

Nikon D3200, Tokina AT-X Pro 11-16mm f/2.8 DX.

Photo Settings: 13mm, f/11, 20 seconds, ISO 100.

Sunrise over Lake Fyans in the Grampians, Victoria, Australia. Dawn over the lake on a cold Easter Saturday whilst camping.

One day before daylight saving kicked in, didn't have to get up quite so early! First proper shoot with my Canon 5D Mark II.

Tripod, Adobe Lightroom CC.

Canon EOS 5D Mark II.

Walking through the Daintree Rainforest I stumbled back as I saw this lizard clinging to a tree at my eye level. We looked at each other for a while, he didn't move at all, and he kindly let me take his photograph before I continued through the rainforest back to Mossman Gorge.

Adobe Photoshop and Adobe Lightroom.

Nikon D810, Nikon AF-S Nikkor 24-120mm f/4G ED VR.