Taken just moments before sunrise on a surprisingly chilly morning in October. I was rewarded with this beautiful light over the canyon.

Fujifilm X-Pro1, Fujifilm XF 35mm F1.4 R.

Taken after a storm in the Bjäre Peninsula in the South of Sweden.

Nikon D600, Nikon AF-S NIKKOR 14-24mm f/2.8G ED.

Photo Settings: 14mm, f/10, 1/80 second, ISO 100.

Sunset at Fort Bragg, California.

My first successful HDR. The guy beside me had hundreds of dollars in filters. I hope his shots came out this nice!

Adobe Lightroom 5.

Canon EOS 6D, Canon EF 17-40mm f/4.0L USM.

Millaa Millaa Falls is Australia's most photographed waterfall and its not hard to see why. The 18 metre giant towers above the cool refreshing catchment beneath it. The setting is nothing short of an awe-inspiring oasis with lush ferns and tropical plants nestled along the bank among the mist.

This image was captured on film and is completely unaltered with the only exception being the crop which was required for Interfacelift. The original is 3:1 ratio panoramic and can found on my personal site. Enjoy

Tripod + Polariser

Trees on the hillside fading into the fog. Took this photo on the way to Thandiani, a hill station in North-East Pakistan.

Adobe Lightroom 4.

Nikon D7100.

Map: 34.2081, 73.3286

Shot in June 2015, from Stanley Park, facing Coal Harbour and downtown Vancouver, British Columbia.

Photo Settings: 22mm, f/11, 6 seconds, ISO 100.

Map: 49.2974, -123.1314

Stockholm has many wonderful Metro stations. This was taken at Rådhuset T-bana early on a Sunday morning to avoid commuters!

Nikon D610, Nikon AF-S NIKKOR 14-24mm f/2.8G ED.

Photo Settings: 14mm, f/5, 1/80 second, ISO 1600.

The magnificent masterpiece shows the Orion nebula in an explosion of infrared, ultraviolet and visible-light colors. It was "painted" by hundreds of baby stars on a canvas of gas and dust, with intense ultraviolet light and strong stellar winds as brushes.

At the heart of the artwork is a set of four monstrously massive stars, collectively called the Trapezium. These behemoths are approximately 100,000 times brighter than our sun. Their community can be identified as the yellow smudge near the center of the composite.

The swirls of green were revealed by Hubble's ultraviolet and visible-light detectors. They are hydrogen and sulfur gases heated by intense ultraviolet radiation from the Trapezium's stars.

Wisps of red, also detected by Spitzer, indicate infrared light from illuminated clouds containing carbon-rich molecules called polycyclic aromatic hydrocarbons. On Earth, polycyclic aromatic hydrocarbons are found on burnt toast and in automobile exhaust.

Additional stars in Orion are sprinkled throughout the image in a rainbow of colors. Spitzer exposed infant stars deeply embedded in a cocoon of dust and gas (orange-yellow dots). Hubble found less embedded stars (specks of green) and stars in the foreground (blue). Stellar winds from clusters of newborn stars scattered throughout the cloud etched all of the well-defined ridges and cavities.

This image is a false-color composite, in which light detected at wavelengths of 0.43, 0.50, and 0.53 microns is blue. Light with wavelengths of 0.6, 0.65, and 0.91 microns is green. Light of 3.6 microns is orange, and 8-micron light is red.

Credit: NASA, ESA, T. Megeath (University of Toledo) and M. Robberto (STScI)

Golden Pavilion, Kyoto, Japan.

October 2015.

Adobe Lightroom.

Canon EOS 5D Mark III, Canon EF 50mm f/1.2L USM.

Photo Settings: 50mm, f/8, 1/125 second, ISO 100.

Map: 35.0390, 135.7289

Taken from Whale Beach, Sydney Northern Beaches.

I was using my favorite filter, the Lee Big filter.

Adobe Photoshop.

Canon EOS 5D Mark III, Canon EF 17-40mm f/4.0L USM.

Photo Settings: 17mm, f/11, 120 seconds, ISO 100.