A little blue sky coupled with the full moon goes a long ways in creating an ethereal feel as the San Francisco skyline looms in the distance.

Nikon D700, Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II.

Only one of the countless starry nights in New Zealand. This one was taken at Lake Wakatipu, an inland lake in the South Island, during a moonlit night.

Adobe Photoshop CS6, Adobe Camera RAW 8.

Nikon D800, Nikon AF-S NIKKOR 14-24mm f/2.8G ED.

Photo Settings: 14mm, f/2, 30 seconds, ISO 200.

Map: -44.8661, 168.3911

View from the "Blumenpfad", a hiking route at the Bachalpsee near the First and Waldspitz mountains at Grindelwald, Switzerland.

Adobe Lightroom.

Nikon D5100, Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED.

Photo Settings: 19mm, f/7, 1/400 second, ISO 100.

Nikon D700, Carl Zeiss Distagon T* 2,8/21 ZF.2.

Photo Settings: 21mm, f/11, ISO 200.

Map: 44.4849, -110.8553

Shot on beautiful Langkawi, Malaysia.

Adobe Lightroom 5.2.

Canon EOS Rebel T3i, Tamron SP AF 17-50mm F/2.8 XR Di II LD Aspherical (IF).

Photo Settings: 50mm, f/10, 1/200 second, ISO 100.

I had quite a nice trip to Las Vegas last April. A sweet escape from the bad weather up in Quebec during that time. It gave me an early taste of the summer to come.

This was taken in the lobby of the wonderful Bellagio Hotel.

Canon EOS 7D, Tamron SP 24-70mm F/2.8 Di VC USD.

Photo Settings: 24mm, f/3, 1/30 second, ISO 800.

Map: 36.1131, -115.1764

I took this shot at Mount Nicholas Station, on Lake Wakatipu in New Zealand. Beautiful spot that is accessible by road, but requires some 4WD-ing. Luckily I got to fly into this location for work. It was a beautiful day but that made it difficult to capture a good shot as it was very bright.

Canon EOS 500D, Canon EF-S 18-55mm f/3.5-5.6 IS. Shot at 18mm, f/11, 1/125 sec.

Water, its the stuff of life.

The ice terrain was rendered with subsurface scattering, processor intensive but well worth it. With global radiosity for added realism. The planets maps were done in Photoshop and rendered within the same scene in Max. The shaded lower half of the planet is actually picking up light from the terrain because of where it was placed in the scene.

Cray CX1, Adobe Photoshop CS, Autodesk 3DsMax.

Taken on a photo trip to Leyte, Philippines with the Istorya.net Photo Club.

Canon EOS Rebel T1i (500D), Tamron 17-50 f/2.8, Canon DPP, Adobe Photoshop CS5, Adobe Lightroom 3.0.

The front end of a Bentley Mulsanne. At the 2012 Montreal Auto Show.

Canon EOS Rebel T3i, Canon EF-S 17-85mm f/4-5.6 IS USM.

Photo Settings: 75mm, f/5, 1/40 second, ISO 800.