Saw the storm system rolling in and went for a small hike to capture the storm rolling to our East. It was definitely worth it.

Canon EOS 5D Mark III, Sigma 24-105mm F4 DG OS HSM.

Photo Settings: 24mm, f/4, 15 seconds, ISO 50.

The Petronas towers shot form the Kuala Lumpur Tower, the highest building in Malaysia.

This image was taken during daytime when there were a lot of clouds. I decided to convert it to black and white and was very pleased with the outcome.

Adobe Lightroom 4, Adobe Photoshop CS5.

Canon PowerShot S110.

Photo Settings: 5mm, f/4, 1/200 second, ISO 400.

Map: 3.1528, 101.7038

The St Johns Bridge of Portland, Oregon, with Mt Hood in the background.

Shot with a Sony a7rii, and an Olympus Zuiko 200mm f5.

Metabones v, Mefoto tripod.

Adobe Lightroom Classic, Adobe Photoshop CC.

Cette tour panoramique vous emmene tout en douceur, haut, tres haut… jusqu'a 45 metres. C'est un vrai plaisir pour les yeux, une decouverte de l’architecture originale et audacieuse des pavillons du Futuroscope. De ce point culminant, la vue d'ensemble est inoubliable.

Looking South from Mount Monroe, White Mountians, New Hampshire, USA.

Canon EOS M3.

Photo Settings: 24mm, f/10, 1/320 second, ISO 100.

Pittock Mansion is a very popular shooting spot in Portland. Luckily the fog can make the view completely different day after day.

Adobe Lightroom CS5.

Canon EOS 6D, Canon EF 24-105mm f/4L IS USM.

Photo Settings: 55mm, f/22, 1 second, ISO 100.

Yacht with tender outside Fort Lauderdale Florida.

Adobe Lightroom 5.3, Adobe Photoshop Elements 11.

Canon EOS 5D Mark III, Canon EF 24-105mm f/4L IS USM.

Photo Settings: 105mm, f/11, 1/320 second, ISO 200.

The lack of clouds had me expecting a pretty boring sunset, but I was pleasantly surprised when the one decent cloud in the sky seemed to be perfectly placed in front of the sun. A Maui local pointed out that the tops of these mountains are rarely seen at sunset, usually buried in clouds, so I was capturing something unique. It was a lovely evening!

Shot with a Sony a7rii, and a Canon 24-70mm f2.8L ii. Metabones V.

Adobe Lightroom CC, Adobe Photoshop CC.

, Canon EF 24-70mm f2.8L II USM.

I discovered this palm at the wonderful place called Punta Cana.

Adobe Photoshop.

Sony Alpha 7.

Photo Settings: 50mm, f/22, 2 seconds, ISO 100.

Ever wonder why they're blue? Deception, really. Glacial ice goes through hundreds and thousands of years of freezing and compression. This compression causes air to remove itself from the ice. Air bubbles create a scattering effect when light passes through it. When the ice is devoid of these air bubbles, light may pass through undisturbed, and as light passes, all the colors of the spectrum, save blue, are effectively absorbed. This creates the illusion that the ice is blue. Another "cool" thing is that this ice melts six times slower than that of freezer box ice. Now, throw that in your rum and coke...

Adobe Lightroom, CP.

Nikon D7000, Nikon AF-S Nikkor 50mm f/1.8G.

Photo Settings: 50mm, f/2, 1/1250 second, ISO 100.